Photoshop Face to Face

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We can drag them toward the right to a maximum value of , or we can drag them toward the left to a maximum value of Dragging a slider back to the center will reset it to 0. Of course, each slider controls a different aspect of the face, so let's see what each one does. The Eye Size slider increases or decreases the overall size of the eyes. If we drag the slider to the right, we make the eyes larger:.

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Here's a comparison showing the effect that each setting has on the image. I'll use a similar comparison for each of the sliders as we go along. The image in the center shows the slider in its default center position with a value of 0, where it has no effect. The version on the left shows the result of the slider when dragged all the way to the left to its maximum value of The image on the right shows the effect with the slider dragged all the way to Of course, you don't need to drag the sliders all the way to their maximum values.

Lower values will give you more subtle results. It's just easier for us to see the effect at the maximum settings, so that's what I'll use:. The Eye Height slider expands or contracts the eyes vertically. Drag the slider to the right to expand their height, or to the left to contract it.

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The Eye Width slider expands or contracts the eyes horizontally. Dragging to the right expands their width, while dragging to the left contracts it. You'll notice as we go along that some of the sliders give us more subtle results than others, even at their max settings:. The Eye Tilt slider adjusts the angle of the eyes.

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Dragging to the right tilts the eyes down and inward, while dragging to the left tilts them in the opposite direction, making them look more "droopy":. The Eye Distance slider adjusts the amount of space between the eyes. Drag to the right to push the eyes farther apart, or to the left to bring them closer together:. Both of these sliders are pretty straightforward.

The Nose Height slider adjusts the length of the nose. Drag the slider to the right to shorten it, or to the left to make it longer:. The Nose Width slider expands or contracts the width of the nose. Dragging to the right makes the nose thinner, while dragging to the left makes it thicker:.

One of the more interesting sliders in the Face-Aware Liquify section is Smile, which increases or decreases the curve of the person's mouth. To increase it, bringing out more of a smile, drag the slider to the right. To decrease the curve and add more of a frown, drag to the left:. Use the Upper Lip slider to adjust the thickness of the upper lip. Dragging to the right makes it thicker, while dragging to the left makes it thinner:.


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The Lower Lip slider does the same thing but for the lower lip, and it works in the opposite direction. Dragging to the right will make the lower lip thinner. To make it thicker, drag to the left:. The Mouth Width slider expands or contracts the mouth horizontally, making it appear wider dragging to the right or more narrow dragging to the left :. The Mouth Height slider will expand the mouth vertically by dragging to the right, and contract it vertically by dragging to the left.

Keep an eye on this one, though, as dragging too far to the right can sometimes stretch the lips too far and cause weird patterns or artifacts:.

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Of all the sliders in the Face-Aware Liquify section, the Face Shape sliders give us some of the most dramatic results:. The Forehead slider raises or lowers the forehead. Drag to the right to bring out more of the forehead and raise the person's IQ , or drag to the left to lower it but give them a more impressive hairline:. Use the Jawline slider to expand or contract the jawline. Dragging to the right makes it wider; dragging to the left makes it more narrow:.

And finally, the Face Width slider expands or contracts the overall width of the face. Drag to the right to widen the face, or to the left to squish it inward:. The main purpose of the Face-Aware Liquify sliders is to correct unwanted distortions in an image that are causing someone to look different from how they appear in real life. But the sliders can just as easily be used to make a person look like someone else entirely! Here once again is my original image on the left. On the right is the same person or at least, it was the same person after having some fun with the sliders:.

To quickly reset all of the sliders back to 0, click the Reset button. This will instantly restore the face to its original state:.

The other new Face-Aware Liquify feature is the Face Tool which is found in the Toolbar along the left of the dialog box. You can also select the Face Tool by pressing the letter A on your keyboard:. When we select the Face Tool, Photoshop draws a thin outline on either side of the face it detected. Then match the face until it properly adjusted. This will select the shape of the face on all layers. For gathering the face swapping in Photoshop techniques in your mind watch my video.

I am sure that you will able to realize the techniques easily. Well, skin color is something that needs to be perfect when it comes to photography.

Adjust and exaggerate facial features

The principal photography begins when the object is crisp and clear. To enhance or change the skin color in Photoshop, you need to have good understanding of the topic. For that, you can use auto blend function and then select the naturally highlighted areas of the face like nose, cheeks, etc.

The main purpose of selecting these areas is that blending looks natural and not artificial. Also, because the tones sometimes do not match perfectly, selecting highlighted areas makes it possible. Here is a quick tutorial of changing the skin color for face swap. Use the " Lasso Tool" in Photoshop to select the face of one of the photos, tracing around the eyebrows, cheeks, and lips. There are other tools you can use for this step, but the "Lasso"allows you to quickly and easily select the area you need.

Staying close to the edges of the eyebrows, cheeks, and lips lets you select only the necessary facial features.

Screenshots

Too much forehead or too much chin can look strange across different faces. Right-clicking to copy and paste does not work in Photoshop. The picture that the face has been pasted onto will become Layer 0, while the face itself will become Layer 1. While not a necessity, it helps to change the opacity of Layer 1 so you can line it up correctly. The opacity bar is located above the layers panel in the bottom-right corner. Do your best to align the features of each face so that they match as closely as possible.

Be sure to return Layer 0 to its full opacity then duplicate it by right-clicking it in the bottom-right layer and selecting "Duplicate Layer. Duplicating the layer allows there to be a base reference point underneath what you'll be working with. Then navigate to "Select," then "Modify," and click "Contract. This will create an overlap between the two faces. Hide Layer 1 by clicking the eye symbol next to it in the bottom-right layer panel. Select the layers B ody and Layer 0 individually and press delete on each one. This will erase the clipping mask from each layer.

In its place should be an empty hole. Once that is done, hold Ctrl and click both Layer 1 and B ody.

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